ALONG THOSE LINES

Amplified haircut

with Emiddio Vasquez

Moneda

Limissol, CY

JULIA E DYCK SPEAKS AT THE PALAIS DES BEAUX-ARTS DE PARIS, 2045

A lecture-meditation on the artist's research

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AUDITORY FANTASY

Julia E Dyck performing with microphone and synth at Fonderie Darling

Lecture-performance on the topic of communication, perception and consciousness.

Working with noise, feedback, and forms of transmission, including telepathy, an attempt is made towards an environment for collective fantasy.

2018 - present

Presented at Fonderie Darling, Montreal, CA Punctum Krásovka, Prague, CZ, SUB, Graz, AT, Volksroom, Brussels, BE

LISTEN (excerpt)

THE MOUTH OF EVERY CAVE WILL ONE DAY CLOSE

With Amanda Harvey and Sophie Myles as the ffiles

Performance-installation offering a space to hold and be held within a flux of sensorial networks.
Drawing on the haptic potential of sound and the voice, this work investigates alternative forms of intimacy and connectivity.

Presented by Ada X for Place Publique at the Fonderie Darling

Infinite Source

with Amanda Harvey as Future Perfect

A two hour durational performance in five acts. Broadcast live from Montreal's Sala Rossa, the piece was diffused on FM radio and live-streamed on Suoni TV.

Presented during Suoni per il Popolo festival.

21.06.20

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DRONE ON

Audiovisual performance exploring sound as a community tool in a time of technological change

with Amanda Harvey

15.08.19
Mitchell Art Gallery, Edmonton, AB

LISTEN

DISTASTE TEST

Electronics, water, fruit & poor manners

GIF 9 Artist Commons, Brussels

21.07.19

WAVE DEBRIS

with Diana Duta

2019 - present

Wave Debris was first performed live during sunset for rocks radio radar long wave radiation, an event organized by curator Cristina Ramos during her residency at The Watch Berlin, a former GDR watchtower in Schlesischer Busch. A second adaption of the piece was performed via livestream for Oscillation Mayday Radio Marathon organized by Q-O2 workspace, Brussels.

Inspired by the work of scientist Elisabeth Alexander in the field of radio astronomy, certain sounds were released during and after the setting of the Sun.

Wave Debris takes as a starting point Alexander’s research into the certain frequencies emitted by the sun during sunset, and blends this modulated frequency with field recordings, feedback, and several readings of Ron Siliman’s text Sunset Debris. Half the transmission was streamed from Brussels, while the other half was performed on location, one floor below the audience. This distance between the two parts of the whole further expanded the conceptual base of the evening through long distance transmission and mediation.